Single line engraving in black ink. This scene is a vision recognisably similar to the preceding plate. Job again is placed within the cluster of his family in a tableaux-like arrangement spanning the lower half of the plate, but their intimacy appears fractured and artificial. The figure of Job is estranged and vacant as above him the tree that previously sheltered and nurtured his family morphs into a seething mass of demonic forms Job's state might indicate awareness of this prophetic scene enacted in the firmament. The pinnacle of this disconcerting, smoking canopy is the haloed figure of God, represented in Job's own image, perched atop his heavenly throne with the scripture open on his lap. This mirrored apparition is testament to Job's superficial understanding of the value of religious faith and the reason for all evident discomfort. The title suggests the figure placed immediately between God and Job is Satan, an idealised male supported entirely by the flames of Hell. His contorted body stretches over Job's realm of plenitude and acts as an oppressive force. This notion of oppression and entrapment is also reinforced by the margin design which echoes strong vines that sprout from a fenced landscape and form an impenetrable lattice stretching up to the heavens.
description
Single line engraving in black ink. This scene is a vision recognisably similar to the preceding plate. Job again is placed within the cluster of his family in a tableaux-like arrangement spanning the lower half of the plate, but their intimacy appears fractured and artificial. The figure of Job is estranged and vacant as above him the tree that previously sheltered and nurtured his family morphs into a seething mass of demonic forms Job's state might indicate awareness of this prophetic scene enacted in the firmament. The pinnacle of this disconcerting, smoking canopy is the haloed figure of God, represented in Job's own image, perched atop his heavenly throne with the scripture open on his lap. This mirrored apparition is testament to Job's superficial understanding of the value of religious faith and the reason for all evident discomfort. The title suggests the figure placed immediately between God and Job is Satan, an idealised male supported entirely by the flames of Hell. His contorted body stretches over Job's realm of plenitude and acts as an oppressive force. This notion of oppression and entrapment is also reinforced by the margin design which echoes strong vines that sprout from a fenced landscape and form an impenetrable lattice stretching up to the heavens.
Description
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