COLLECTION NAME:
Photography Collection
mediaCollectionId
Manchester~15~15
Photography Collection
Collection
true
Image Number:
JRL17082721
image_number
JRL17082721
Image Number
false
Reference Number:
VPH.6.6
reference_number
VPH.6.6
Reference Number
false
Image Title:
Interior view showing the drawing room at Loseley Park, Littleton. By Henry Bedford Lemere.
title
Interior view showing the drawing room at Loseley Park, Littleton. By Henry Bedford Lemere.
Image Title
false
Parent Work Title:
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
title_larger_entity
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
Parent Work Title
false
Creator:
Lemere, Bedford Henry (Harry), 1865-1944
creator
Lemere, Bedford Henry (Harry), 1865-1944
Creator
false
Creator Role:
Photographer
creator_role
Photographer
Creator Role
false
Display Creator:
Bedford Lemere & Co.
display_creator
Bedford Lemere & Co.
Display Creator
false
Date Created:
1886-10-20
date_created
1886-10-20
Date Created
false
Page/Sheet:
6
page
6
Page/Sheet
false
Image Sequence Number:
6
image_sequence_number
6
Image Sequence Number
false
Description:
Interior view showing the drawing room at Loseley Park. The drawing room has a gilded ceiling that was especially decorated for a visit to the Park by James I. The fantastically ornate chalk fireplace was carved from a single block of chalk to a design by Holbein. The jambs or legs of the fireplace feature both Corinthian columns and terminal figures (human top half, columnar bottom) and the overmantel has four more extravagantly carved terminal figures incorporated into the decoration. Unidentified paintings hang on either side of the fireplace. Also shown are two Elizabethan ‘maid of honour’ chairs, supposedly used by the maids of Elizabeth I when attending to her at court. In front of the fire is an animal skin [leopard] rug. Loseley Park is situated in the hamlet of Littleton, Surrey. The estate was acquired by More-Molyneux family (who are still resident), at the beginning of the 16th century. Loseley appears in Domesday Book of 1086 as ‘Losele’. There is some fading to the edges and some small flaws in the print itself, likely sustained in the printing process rather than a flaw to the original plate or negative.
description
Interior view showing the drawing room at Loseley Park. The drawing room has a gilded ceiling that was especially decorated for a visit to the Park by James I. The fantastically ornate chalk fireplace was carved from a single block of chalk to a design by Holbein. The jambs or legs of the fireplace feature both Corinthian columns and terminal figures (human top half, columnar bottom) and the overmantel has four more extravagantly carved terminal figures incorporated into the decoration. Unidentified paintings hang on either side of the fireplace. Also shown are two Elizabethan ‘maid of honour’ chairs, supposedly used by the maids of Elizabeth I when attending to her at court. In front of the fire is an animal skin [leopard] rug. Loseley Park is situated in the hamlet of Littleton, Surrey. The estate was acquired by More-Molyneux family (who are still resident), at the beginning of the 16th century. Loseley appears in Domesday Book of 1086 as ‘Losele’. There is some fading to the edges and some small flaws in the print itself, likely sustained in the printing process rather than a flaw to the original plate or negative.
Description
false
Keyword:
Country House; Drawing Room; Fireplace; Holbein; Terminal figures.
keyword
Country House; Drawing Room; Fireplace; Holbein; Terminal figures.
Keyword
false
Subject:
Architecture
subject
Architecture
Subject
false
Subject:
Country homes--Great Britain
subject
Country homes--Great Britain
Subject
false
Subject:
Interior decoration -- Great Britain
subject
Interior decoration -- Great Britain
Subject
false
Subject:
Photography--History--19th century
subject
Photography--History--19th century
Subject
false
Category of Material:
Photography
category
Photography
Category of Material
false
Sub-Category:
Analogue photography
class
Analogue photography
Sub-Category
false
Technique Used:
Blueprint process
technique
Blueprint process
Technique Used
false
Support:
Paper
support
Paper
Support
false
Creation Site:
England: Surrey: Littleton
location_creation_site
England: Surrey: Littleton
Creation Site
false
Time Period Covered:
19th Century CE
temporal_coverage
19th Century CE
Time Period Covered
false
Places Covered:
England: Surrey: Littleton
spatial_coverage
England: Surrey: Littleton
Places Covered
false
Item Height:
277 mm
item_height
277 mm
Item Height
false
Item Width:
218 mm
Current Repository:
The University of Manchester Library, U.K.
current_repository
The University of Manchester Library, U.K.
Current Repository
false
Provenance:
Thomas Maileander, Artist.
former_repository
Thomas Maileander, Artist.
Provenance
false
Rights Holder - Image:
The University of Manchester Library
Rights Holder - Work:
The University of Manchester Library
Access Rights:
Bibliography:
bibliographic_citation
<A href="https://luna.manchester.ac.uk/luna/servlet/s/h8b3g8 ">Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s.</a>
Bibliography
false
Notes:
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
notes
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
Notes
false
Date Captured (yyyy-mm-dd):
2017-08-23
Image Creation Technique:
Digital capture by Heritage Imaging, The University of Manchester Library
Date Image Added (yyyy-mm):
2017-08
Metadata Language:
eng-GB